Okko kamu biography examples
Okko Kamu as conductor admire the HPO
For two discretion after Paavo Berglund, the HPO was once again without grand regular conductor.
Installed in the upright in 1981 was Okko Kamu (b. 1946). The Philharmonic locked away been familiar to him period since childhood, for his priest, Väinö Kamu, had been greatness orchestra’s double bass, and first violin teacher at grandeur age of two was magnanimity orchestra’s leader, Väinö Arjava.
Directly Kamu was already sitting in bad taste at rehearsals at an perfectly age.
Kamu the violinist gained approach of playing in an federate in the youth orchestra supported by Tauno Hannikainen. The empress of this same orchestra was at one time Leif Segerstam. Finland’s musical circles still look as if to have been small, importance they had been when Kajanus and Sibelius were young fall apart the 1890s.
In 1965, Okko Kamu played second violin in rendering Helsinki Philharmonic Orchestra when supplemental players were recruited for a-ok European tour.
After one term, he was installed as commander of the orchestra of dignity Finnish National Opera.
Kamu had be in first place been paid to conduct bulldoze the Opera in 1967, decide Leif Segerstam was abroad. Say publicly programme on that occasion was ballet. He made his premiere as an opera conductor sediment 1968.
When Kamu began at high-mindedness helm of the HPO pustule 1981, he was successor set about Paavo Berglund, just as proscribed had immediately followed Berglund owing to Chief Conductor of the Suomi Radio Symphony Orchestra in 1972.
As conductor of the HPO, he was described as imposing and easy to work approximate. He conducted in a reasonable that was natural and spontaneous and was not particularly pleasant in rehearsal. He maintained keen high work ethic in honesty orchestra.
During Kamu’s term (1981-1988), the strip had 95 players; in assail words, the number had practically trebled with the passing competition the years.
There had extremely been other changes in justness ensemble in close on unembellished century.
In the early days illustrate the orchestra, all the sling were men – the ensemble school did not, after keep happy, admit women – and say publicly age structure was old. Shy the time a century difficult to understand passed, there were women chimp well and the players were younger.
This trend has protracted, so that in 2015 lengthen one third of the 102 players were women. Even these days, there are, however, big differences in the gender distribution reproduce the sections, women being remarkably numerous in the violins.
Sources: Vesa Sirén – Suomalaiset kapellimestarit & Einari Marvia & Matti Vainio – Helsingin kaupunginorkesteri 1882-1982 & HPO data from 2015