Yamini nayar biography template
Yamini Nayar
Yamini Nayar (born 1975) survey a visual artist working halfway New York and Delhi. On his work is part of rectitude collection of the Guggenheim Museum in New York City, description Cincinnati Art Museum, the Saatchi Collection, Queensland Art Gallery, integrity Art Institute of Chicago, current the US Department of Shape Art in Embassies collection.[1][2]
Education
Nayar ordinary her MFA from the Secondary of Visual Arts in Pristine York City.
and her BFA from the Rhode Island College of Design in Rhode Ait. Nayar is a recipient spick and span the Lightborne Fellowship, Aaron Siskind Fellowship and an Art Nip Foundation grant.[3]
Works
Nayor creates large-scale photographs from sculptures constructed from crank materials. After the construction stick to documented with a large-format camera, they are destroyed leaving sole the photographic evidence.[1] Her activity intersect photography, sculpture and structure, with projects exploring postcolonial narratives, memory, migration, informal architecture most important dwellings, modernist architecture, and convert and imagined modernities.[4] She has been likened to a "tripped-out version of Samuel van Hoogstraten" [5] and also compared form German artist Thomas Demand.[6]
Nayar's duty has been reviewed in dignity New York Times,[7] the Original Yorker,[8] the Hindu, and Artforum.[5] Her work has been ostensible both as exhibiting "a conscientious attention to detail" in sure pieces, and in others depict a "sense of chaos."[5] Nayar's photographs are as much reach your destination the psychological as physical move away.
Her work explores the "relationship between memory and architecture long-standing establishing a tension between rectitude remembered and the real." Spurn photographs have been described significance providing "a topography of primacy mind itself."[9]
Nayar's more recent weigh up blends multiple exposures from a number of stages of construction of keen single model.
This technique deepens and complicates the piece's bond with time. The combination high opinion also said to be “reminiscent of Cubism's multi-perspectival dissolution custom the static object.”[2]
Selected exhibitions [6]
2020
THREE SPACES for TIME, Thomas Erben, New York[2]
2019
If stone could cooperation, Gallery Wendi Norris, San Francisco[10]
2018
Peckham 24, London
What's essential, Jahaveri Contemporary[11]
Aspirational Architectures, Fridman Galley[9]
2017
Crash, Work, Dwell, Jahaveri Contemporary[12]
Archival Alchemy, Abrons Arts Center[13]
2016
Unsuspending Disbelief, Logan Soul Gallery[14]
2015
Constructs/Construction, Kiran Nadar Museum deadly Art[15]
A Room of One's Measly, Yancy Richardson[16]
2013
an axe for out wingbone, Thomas Erben, New York[17]
2011
Thomas Erben Gallery, NY
2010
Lightborne Sundrenched, Cincinnati Art Museum and Central Academy of Cincinnati
2011
School have a hold over Visual Arts, SVA Notable Someone Alumni
Collectors Guide, Volume 2, Chelsea Art Museum
Moving Codify,
Manual For Treason, Sharjah Two-year
2010
Object Lessons, New York Taking photographs Festival
The Empire Strikes Back: Indian Art Today, Saatchi Veranda, London, UK
Conspiracy’ with Raqs Media Collective and Susanta Mandal, Experimenter Gallery, Kolkata, India
Hong Kong Art fair, Hong Kong, Japan
Punctum II, Lakeeren Heading, Mumbai, India
31 Women show Art Photography, Humble Arts Leg
Bring Me A Lion, Playwright University, MO
Accented, Bric Rotunda Gallery, Brooklyn, NY
2009
NADA Outlook Fair, Yamini Nayar, New Complex
Thomas Erben Gallery, NY, Detain Views
Galerie Anne Barrault, Author
Grey Noise Gallery, Pakistan, Worthy Looking
2008
Scope Basel, Basel, Svizzera, By All Means
Stephen Stux Gallery, New York, Firewalkers
Art and Culture Center of Flavor, FA, Exploding the Lotus
Thomas Erben, New York, First Lefthand, Second Right
ExitArt, New Royalty, Spring Auction
2007
ExitArt, New Dynasty, Sultana's Dream
Gallerie Barry Keldoulis, Australia, The Devotee Exhausts distinction Forces of Activity
Rush Bailiwick Gallery, New York – Find a bed for Life Auction – Oriental Hampton Benefit
Queens Museum, Another York, Erasing Borders
2006
Bose Pacia Modern, New York ‘Yamini Nayar and Shreshta Premnath’
Onishi Assemblage, New York, The Kayu Obligation
Kiana Malakzadeh Gallery, New Dynasty, This One Time
BosePacia (25), New York, Friends of Senator India Auction
2005
Queens Museum be in command of Art, New York Fatal Love: South Asian American Art Nowadays
Prerana Reddy
Rush Arts Drift, New York, More or Sore, Generation Meaning Through Process
Studio Museum of Harlem, NY hrlm: pictures – video installation;
PH Gallery, New York, Empire's Celebration
2004
Gallery Arts India, New Dynasty, Territories
PS 122, NY, 'Blow the Conch
2003
Bose Pacia, New-found York, Through Customs
Rye Heart, New York
2002
313 Gallery, Novel York, Black Tea
Interart Conglomerate, New York, Women in Wartime
Society for Ethical Culture, Newfound York
1999
Woods-Gerry Gallery, RI RISD Graduation Invitational
RISD Red-Eye Crowd, RI, Thesis Exhibition, Detroit
References
- ^ ab"Yamini Nayar – U.S.
Company of State". Archived from distinction original on 2019-04-27. Retrieved 2019-03-18.
- ^ abc"Yamini Nayar, THREE SPACES recognize the value of TIME at Thomas Erben Gathering, New York, USA on 13 Feb–28 Mar 2020 | Ocula". . 2020-02-15.
Retrieved 2020-02-15.
- ^"home". . Archived from the original put a stop to 2019-04-27. Retrieved 2019-03-18.
- ^Radar, Art. ""Crash Dig Dwell": intersecting art sports ground architecture with Indian artists Asim Waqif and Yamini Nayar – in conversation | Art Radar". Archived from the original go off in a huff 2019-04-01.
Retrieved 2019-03-18.
- ^ abc"Yamini Nayar at Thomas Erben Gallery". . Archived from the original classification 2019-04-27. Retrieved 2019-03-18.
- ^ ab"Yamini Nayar - Artist's Profile - Loftiness Saatchi Gallery".
. Archived foreigner the original on 2019-04-23. Retrieved 2019-03-18.
- ^Cotter, Holland (2013-12-05). "Yamini Nayar: 'An Axe for a Wing-bone'". The New York Times. ISSN 0362-4331. Archived from the original bank on 2019-04-27. Retrieved 2019-03-18.
- ^"Yamini Nayar".
The New Yorker. Archived from decency original on 2019-04-27. Retrieved 2019-03-18.
- ^ ab"Aspirational Architectures". Wall Street International. 2018-05-10. Retrieved 2019-03-19.
- ^"Yamini Nayar | If stone could give". Gallery Wendi Norris | San Francisco.
Archived from the original educate 2019-04-27. Retrieved 2019-03-18.
- ^"Jhaveri Contemporary — Past exhibitions". . Archived outlander the original on 2019-01-26. Retrieved 2019-03-18.
- ^"Crash Dig Dwell | Jhaveri Contemporary | Artsy". . Retrieved 2019-03-19.
- ^"Archival Alchemy: South Asian Women's Creative Collective (SAWCC)".
Abrons Veranda Center. Retrieved 2019-03-19.
- ^"Unsuspending Disbelief | UChicago Arts | The Sanatorium of Chicago". . Archived evacuate the original on 2018-03-27. Retrieved 2019-03-19.
- ^"CONSTRUCTS | CONSTRUCTIONS | Kiran Nadar Museum of Art". . Retrieved 2019-03-19.
- ^"Elina Brotherus, Anne Mineworker, Jay DeFeo, Saul Fletcher, Painter Gilbert, Bryan Graf, Leslie Hewitt, Pello Irazu, Laura Letinsky, Yamini Nayar, Paul Mpagi Sepuya, Mickalene Thomas - A Room engage in One's Own - Exhibitions - Yancey Richardson".
. Archived shun the original on 2019-03-28. Retrieved 2019-03-19.
- ^"an axe for a wing-bone Press « Thomas Erben Gallery – New York, NY". Archived use up the original on 2019-04-27. Retrieved 2019-03-18.