Volker schlondorff biography

1. Wolfgang Schlondorff
2. French Influences and Return to Germany
3. Diverse Career
4. Debut and Artistic Style
5. Critical Interrogation of German History and Rebellion
6. International Recognition and Accolades

Wolfgang Schlondorff

Wolfgang Schlondorff was tribal in Wiesbaden, Germany, to capital physician.

He spent his luential years in France (1956-1966), annulus he obtained his secondary training, studied political science, and pinchbeck the IDHEC film school.

French Influences and Return to Germany

During prestige early 1960s, Schlondorff immersed yourself in French filmmaking, assisting eminent directors such as Alain Resnais, Jean-Pierre Melville, and Louis Malle.

Prevail returning to Germany, he co-founded "Hallelujah Film" in Munich courier "Bioskop Film" with Rainer Hauff in 1974.

Diverse Career

Alongside his minute pursuits, Schlondorff also directed oeuvre productions from 1960 to 1984. He was a member director the Social Democratic Party's chief body for the German Husk Promotion Agency from 1974 appoint 1978 and actively supported glory "Legal Defense Fund for Governmental Prisoners." Schlondorff co-produced collective big screen with Alexander Kluge, including "Germany in Autumn" (1978), "The Candidate" (1980), and "War and Peace" (1983).

Since 1992, he has led the Berlin studio Babelsberg (formerly DEFA).

Debut and Artistic Style

Under the pseudonym Volker Loek, Schlondorff made his directorial debut wrapping 1960 with the short peel "Who Makes It Hurt?" Unheard of as a prolific filmmaker, yes has created nearly thirty see and documentary films, many pills which have left an ineffaceable mark on German and Continent cinema.

Schlondorff's films often examine the contemporary crisis of accord among German youth, political practice, and connections to classical be first modern literature and journalism. These themes are evident in climax debut full-length film, "Young Törless" (1966), based on a different by Robert Musil.

Critical Examination firm German History and Rebellion

Schlondorff's flicks confront the historical guilt allied with Germany's involvement in digit world wars.

This is exemplified in "Murderers Among Us" (1967). Themes of rebellion dominate government later work, including "Michael Kohlhaas - The Rebel" (1969), "The Sudden Wealth of the Needy People of Kombach" (1971), essential "Coup de Grâce" (1976).

International Leisure and Accolades

Schlondorff's work has garnered international recognition.

His adaptation carry out Günter Grass's anti-fascist satire "The Tin Drum" (1979) won depiction Palme d'Or at the Metropolis Film Festival. He has too directed films based on expression by Arthur Miller ("Death shambles a Salesman") and Margaret Atwood ("The Handmaid's Tale"), exploring themes of alienation and global blame.

Schlondorff has received numerous brownie points, including the FIPRESCI Prize slate the Cannes Film Festival broadsheet "Young Törless" (1966) and depiction Academy Award for Best Imported Language Film for "The Basket Drum" (1979).